Install Theme

Blakk Magic


(Source: hokutonogifs, via a-ty-chi-phobia)

(Source: swansonisms, via neon-vagina)

“ My pain was never beautiful or poetic. It was answering the phone mid breakdown and laughing like I was fine. ”

—    (via suspend)

(Source: kelseysrecovery, via in-dy)


girl: he cheated on me

me: then break up with him

girl: but-

me: bye

(Source: zootedboy, via hate)


why couldn’t i be born with an older brother who is my best friend and has hot friends that flirt with me and drives me places like mcdonalds when im sad and punches rude boys in the face for me.

(via r--eflections)

(Source: plantcreep, via petalosymiel)

(Source: agas-topia, via r--eflections)

*walks through a bead curtain*

(Source: andrejpejicjimmyvegafanfic, via swagfactor)

(Source: 6etsy, via h-urrican-e)

(via soymilhk)


A shot from my Instagram from breakfast :) follow me @eatyourhealth to see what I’m eating and lots of raw vegan recipes, 801010 friendly

(via soymilhk)

Does anyone else lie in bed at 2:30am filled with the crippling fear that they’re never going to accomplish anything in life and fail miserably or is that just me

(via dutchster)

“ When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period. ”

—    Oskar Eustis on ArtBeat Nation (he told the same story on Charlie Rose)

(via likealittlechild)